Archive | Personal RSS feed for this section

My Natural History

12 Jul

I look out at Jackson Park.

Where elms and oaks, locusts and maples 

now stand arching over grassy spaces,

guarding beds of daffodils and pansies and petunias,

coleus and daisies.

This was water not so long ago.

When Lincoln’s funeral train traveled on the tracks

a few yards to the west, 

—on its way to Chicago, where he lay in state—

it traversed a bridge over the water.

We have photographs to prove it.

Landfill, we call it.

I’m looking through the window 

of a grand hotel, built in the 1890s

to greet the hordes that came to a World’s Fair.

The Fair was reason enough 

To transport soil from Lake Michigan’s bottom

to form the park 

and erect the buildings where I live today

and house the cafe where I sit now to reflect,

with the dogs and squirrels and grasshoppers,

who play beneath the trees.

My park, my companions,

my natural history.

(c) Phil Hefner      11 July 2018 

Martin Luther King: Apostle of Non-Violence

5 Apr


Today we mark the fiftieth anniversary of Martin Luther King, Jr.’s assassination in Memphis. King’s impact on our society was made through actions of militant nonviolent resistance in behalf of marginalized groups.  He said his movement was an expression of Jesus’s love, specifically as it was stated in the Sermon on the Mount, while the method of this love was provided by Gandhi.

Interestingly, all three of these non-violent leaders—Jesus, Gandhi, and King—evoked sharp disagreement over their strategies of non-violence. All three were killed by their opposition, Jesus and King before they reached forty years of age.

Non-violence rests on the audacious belief in a “double conversion”—(1) the conversion of the militant nonviolent confronters to a trust in the persons they are confronting. They take the risk that the opponents, the oppressors, will in turn (2) undergo a conversion that will enable them to respond in a reciprocal trust.  The nonviolent activists are converted to a desire to elicit the best from the ones they are confronting, while their opponents are converted to respond in ways that express own best selves. 

“Double conversion” is a risky strategy; it can fail.

King said that he wanted his opponents to be able to say after the confrontation, “I did what was right and good.” 

King had a keen sense that people need to be transformed. From the very beginning, the philosophy of nonviolent resistance
undergirded the Montgomery bus boycott in 1955-56. There was always the problem of getting this method over because it didn’t make sense to most of the people in the beginning.  He wrote, “We had to explain nonviolence to a community of people who had never heard of the philosophy and in many instances were not sympathetic with it. We had to make it clear that nonviolent resistance is not a method of cowardice.  It does resist.  It is not a method of stagnant passivity and deadening complacency. The nonviolent resister is just as opposed to the evil that he is standing against as the violent resister but he resists without violence.  This method is nonaggressive physically but strongly aggressive spiritually.”

He clearly set forth a spiritual basis for his movement:
“To meet hate with retaliatory hate would do nothing but intensify the existence of evil in the universe.  Hate begets hate, violence begets violence; toughness begets a greater toughness.  We must meet the forces of hate with the power of love; we must meet physical force with soul force.  Our aim must never be to defeat or humiliate the white man, but to win his friendship and understanding.”

He enumerates six traits that the nonviolent resister must internalize.

First, the non-violent justice resister is spiritually aggressive, since “his mind and emotions are always active, constantly seeking to persuade his opponent that he is wrong.”

Second, militant nonviolence “does not seek to defeat or humiliate the opponent but to win his friendship and understanding.  “The end is redemption and reconciliation.”

Third, the attack is directed against forces of evil, not persons. “We are out to defeat injustice and not white persons who may be unjust.”

Fourth, willingness to accept suffering without retaliation. “Things of fundamental importance to people are not secured by reason alone, but have to be purchased with their suffering.”

Fifth, internal violence of the spirit must be avoided as much as external physical violence.

Sixth, nonviolent resistance is based on the conviction that the universe is on the side of justice. In other words, a worldview is involved. Barack Obama frequently says, “The arc of history bends toward justice.”

The discussion goes on today—is non-violence the most viable strategy for overcoming oppression, injustice, and discrimination? Does the arc of history actually bend toward justice? Or will we meet hate with hate, violence with violence, and thereby intensify the evil?

(c) Phil Hefner April 4, 2018

Life as Passover

1 Apr

I’m posting  Holy Week sermon notes that I preached this week. I hope it strikes a note for you.

Maundy Thursday
March 29, 2018
Montgomery Place
Exodus 12:1-14; I Cor. 11:23-26; John 13:1-17, 31b-35.

Passover in Christian Faith
Our first lesson sets the Passover theme of Maundy Thursday

6 moments—

1-God passes over the Israelites in Egypt.

2-Israel passes over the Red Sea and the desert wilderness.
THESE ARE OUR HERITAGE FROM THE JEWISH TRADITION

CHRISTIANS CAN ALSO SPEAK OF PASSOVER
3-Christ passes over from his life of passion/suffering to the resurrection.

4-We and all humanity share his resurrection, passing over from earthly life to eternity.

5-In the Eucharist, in this action we do now, Christ passes over from history to presence with us, and enables us to share his presence. Jesus is not simply a historical figure; he is with us, as intimately as the bread we eat and the wine we drink.

THE EUCHARIST IS ASSOCIATED WITH THE TIME OF JEWISH PASSOVER.

6-In the foot washing, we pass over from self-centeredness to service for others. “I have washed your feet, you also ought to wash one another’s feet. Love one another as I have loved you. By this all people will know you are my disciples, that you love one another.”

Passover is an overarching theme—it interprets our service today and indeed our entire faith and life. It is a way of depicting our lives as in the hands of God. The journey is rooted in history, and it passes through to the days when we, too, will pass  into eternity.

Phil Hefner 30 March 2018

A Sleepless Christmas Eve

26 Jan

(I began to write this blog during a sleepless Christmas Eve night in the hospital. I have no idea what the connection is between my situation and the subject of the blog, but I wrote energetically—in the middle of the night.)

Crass materialism is a worldview and a way of life that has taken hold of our society in a troubling manner. Materialism has been with us forever, but in recent decades it seems to have become our public philosophy. This worldview narrows our perspective on human life, to what we can see, touch, and handle. It is a one dimensional view of reality that eliminates depth and larger meanings for life. Science goes against this worldview when it shows that the material world is more amazing and complex than it appears on the surface, but science cooperates with materialism in its focus on the natural world that we can manipulate and use for our own purposes.
Crass materialism is a worldview of the surface, not the depth. Herbert Marcuse offered a critique of this world view in his 1964 book, One Dimensional Man.

A second feature of crass materialism is that it measures human life and human beings in terms of their productivity and profitability. The two great world views of the 20th century, capitalism and communism, shared this way of measuring humans: their material productivity and their ability to contribute to the economic life of society. This is revealed in the changing manner in which the working force is evaluated in the life of business. No longer is the workforce a community of human beings, rather it is considered to be a business expense. And as with all other costs of business the point is to reduce it to a minimum. In his new book, Grasping the Hebrew Bible, Robert Butterfield writes about the significance of the seventh day of creation as the Sabbath. The Sabbath is a powerful testimony that humans are not exhaustively measured by their working life Monday through Friday. There is more to human life, and the Sabbath points to that “more.” It is no surprise that our economic system long ago erased the distinction between the work days of the week and the Sabbath.

Crass materialism offers a picture of humans who cannot and should not transcend the material world, and then it claims that this is the only world—this is all there is.

Aleksandr Solzhenitsyn wrote: “Once you give up survival at any price, then you learn the most valuable thing in life is the development of the soul.”

When I started writing this, I was tightly bound into the world of medical science, and I was hoping with all my being that it would succeed in helping me. Our healthcare system is based on the premise that our material life should be extended as much as possible. It teaches us that survival is the goal, and makes it very difficult for us to follow Solzhenitsyn’s wisdom.

Yet there must be voices that remind us that there is more than the material world—otherwise we lose our souls. There must be a “counter culture,” if you will. Religion is part of that counter culture. So are the concerns that go beyond the highly praised STEM areas—science, technology, engineering, and math. The humanities, poetry, literature, music and the arts point us beyond one-dimensionality. Perhaps my awareness, in the hospital, that my material body is weak and impermanent, is what moved me to write this.

The counter culture is beleaguered at the moment. Our economic system is ever-more pushed in the direction of what the French call “American ‘savage’ capitalism.” Religion is scoffed at. Some leaders argue that non-STEM studies should be discouraged in schools and colleges. But there is more than one dimension to our lives. Let the counter culture flower!

(c) Phil Hefner January 25, 2018

Reflections on life and the joy of Cajun food

16 Oct

This is the 55th installment in this blog—hardly possible, it seems to me.

I begin with two reflective poems, followed by commentary and a poem of pure fun.

* * *

The Philosopher’s Report

 “The truth is so unclear, 
our time on earth so short”—
the philosopher’s report
in brief describes with near
precision what frustrates
the quest that makes us who we 
are—to know with certainty
and properly respect our fates.

Yet along a path we walk,
free in spirit when the way allows,
oft constrained by circumstance.
As if the path itself could talk—
in its own strange way it shows
our life’s a not unpretty dance.

 

Get Ready

Molecules: Get ready, my little ones,
you tiny ones–
you were not together before we met,
you will not be together much longer,
you will find new friends,
you will travel to places you do not know,
and you will be part of something
very big and new.

Memories: Never bound in time and space,
you will be even more on your own,
reaching places never imagined.
You already know how to live in contradiction,
but it will be even more intense as years pass.
You will comfort some and bring strength.
Live with the fact that you will anger others
and disappoint.

Deeds: Etched, incised,
implanted where you really matter,
freeing and imprisoning–
anonymous as you are effective.

Me, I, soul, center, how shall I name you?
You will be carried to terra truly incognita
where your life will be
novel beyond present telling.

All transported,
carried in arms
as real as they are metaphor.

* * *

Writers are advised to write what they know, write their experience. My experience parallels that of the response I recently received to these poems:

“At age 85, I too am beginning to acutely feel the coming end of my life, with all of its accumulated memories and experiences. This awareness adds a new note of urgency to my motivation to contribute as much as I can out of my memories, experiences, reflections, and the like before passing the baton to those who will come after me and those who have shared in my life here. It’s a new phase of life with new kinds of experience. And it is a spur to meditation.”

Some people may say such thoughts are just for older folks, not relevant for younger people. My own experience leads me in another direction. After college, I studied in Germany, where I was attracted to Existentialist thinking. Kierkegaard, Jean-Paul Sartre, Martin Heidegger, Albert Camus—these were major thinkers. They were convinced that in confronting our death, we begin to understand how to live our lives now—as Kierkegaard put it, in every moment, we live “towards our death,” and how we do so determines our future. In that moment our lives make the existentialist leap, diving into the depths, floating over 20,000 fathoms of water.

Later, I encountered the psychologist Ernest Becker, who characterized our American culture in his term, “denial of death.” Turning Kierkegaard on his head, Becker insisted that many of us live as if we can deny death, and he described the destructive consequences of our denial. (https://en.m.wikipedia.org/wiki/Ernest_Becker. Also, http://ernestbecker.org/).

* * *

However, lives that are lived toward death also include moments of pleasure, sheer fun—even for 85 year-olds. That can happen for me over a dish of great Cajun cooking.

My favorite Cajun eatery

And on the sixth day
the Lord God said
let there be gumbo
and jambalaya
fried pickles and red beans
and rice
etouffe and blackened
catfish
collard greens and grits–
and Tabasco

Then God turned to
Adam and Eve
and said
there I have kept my promise
your lives will be rich and full—
and zesty

 

(c) Phil Hefner   10/16/2017

 

 

 

 

 

 

 

 

Weltschmerz encounters Psalm 90

6 Oct

There are times when I have to kick back and let the world do its thing without my worrying. The Germans have a word for this feeling of anxiety caused by the ills of the world, Weltschmerz. It is often translated as world-weariness.

At such times, I often take refuge in a piece of literature—let its sounds and ideas flow over me as if anointing me—I see the Old Testament image of Aaron, the oil flowing over his head and beard—for a return to the fray.

Reading the 90th psalm is a good way to reflect on things. It starts out reminding us that we do have a haven, a refuge, that is truly home for us, a God who knows us.

You have been our haven, Lord, 
from generation to generation. 
Before the mountains existed, 
before the earth was born, 
from age to age you are God.

Mainly, the psalm focuses on “passing away” as a basic feature of earthly life, our passing away.

You return us to dust, 
children of earth back to earth.
For in your days a thousand years 
are like a single day: 
they pass with the swiftness of sleep.
 
You sweep away the years 
as sleep passes at dawn, 
like grass that springs up in the day 
and is withered by evening.
 
For we perish at your wrath, 
your anger strikes terror.
You lay bare our sins 
in the piercing light of your presence.
All our days wither beneath your glance, 
our lives vanish like a breath.
 
Our life is a mere seventy years, 
eighty with good health, 
and all it gives us is 
toil and distress, 
then the thread breaks 
and we are gone.

We are transients on this earth, our tenure here is not indefinite, and we are vulnerable while we are here. Furthermore, this is all God’s doing. We are in God’s hands all the while. We may be like grass that springs up in the day and is withered by evening, but we are grass planted by God.

This is the way it is supposed to be—it’s not happenstance that we are given a mere seventy years, eighty with good health, and it gives us is toil and distress, and then the thread breaks and we are gone. We may push back and live way past 70 or 80, but the toil and distress don’t disappear. And sooner or later, the thread does break.

These words bring anger and despair when we don’t accept our conditions and push back against the constraints. Much of human life is lived in rebellion. In fact, such rebellion may be a basic mark of being human. But even though some of our greatest human achievements may be enabled by our efforts to surpass our passing-away-ness, the psalmist reminds us we can never escape our situation. Our massive medical system, for example, works hard to put us past 80 years. It is remarkable, when you think about it, that one-seventh of the American economy, health care, is dedicated to counteracting our very nature, our natural passing-away-ness. Our brilliance is embodied in such efforts, but they are finally unsuccessful.

Who can know the force of your anger?
Your fury matches our fear. 
Teach us to make use of our days 
and bring wisdom to our hearts.
 
How long, O Lord, before you return?
Pity your servants, 
shine your love on us each dawn, 
and gladden our hearts.

I think of the movie, “Blade Runner”—biological robots have been programmed to self-destruct at a certain age. They threaten the bioengineer who created them, until he re-programs them so they can live longer. He tells them the bad news—in the process of reprogramming, they will die. That applies to us humans, in a metaphorical sense, not literally.

When God finishes the work of creation with the words, “It is good,” that includes our finite, passing-away lives. Understanding this is one of our major spiritual challenges. The psalm ends on this note:

Balance our past sorrows 
with present joys 
and let your servants, young and old, 
see the splendor of your work.
 
Let your loveliness shine on us, 
and bless the work we do, 
bless the work of our hands.

When we reach this point, we are still creatures of passing-away-ness, but we can be at peace. We are ready to re-enter the world that will weary us, again and again. We re-enter as transient conquerors.

(c) Phil Hefner 10/6/2017

Psalm translation, Liturgical Psalter 1974, Liturgical Press.
 

May Day–what does it stand for?

21 Apr


When I was a boy, on May First, May Day, my mother passed out baskets of home-baked goodies, candies, flowers, and fruit. She made the baskets herself and put them on our nearest neighbors’ doorsteps. Mother was cheerful, the baskets were colorful, and kindness flowed. Spring was breaking out all over, and May baskets were its pleasant signs. For many years, this was the extent of my experience of May Day.

When I studied in Germany in the mid-fifties, May Day was celebrated throughout Europe as International Workers Day–with big parades and speeches. It’s akin to our American Labor Day on the first Monday in September, but not exactly the same.

Europe was swept by socialist revolutions in the 1840s and 1850s, which aimed at overturning the aristocratic and bourgeois classes that dominated society. To be a worker is more a matter of social class conflict–lending a militancy to May Day that isn’t present in the United States. In most European countries, after all, workers receive education from middle school on that leads to the trades–quite different from the academic stream that leads to the professions and higher corporate positions.

I’ll never forget my conversation with a British laboring man, who told me how important it was for him to be working class. He hoped his children would follow in his steps rather than pursuing a university education.

This social class situation infuses International Workers Day celebrations. There have been efforts to move our American Labor Day to May First, but they have never succeeded.

Moving to Chicago in the late fifties, I learned about the Haymarket Affair. Haymarket Square is located at Randolph Street and Desplaines Street–visible from the Kennedy Expressway. May 1 was chosen to be International Workers’ Day to commemorate the riot that took place in this square on May 4, 1886. The police were trying to disperse a public assembly during a general strike for an eight-hour workday when an unidentified person threw a bomb at the police. The police responded by firing on the workers, killing four demonstrators. Five men were convicted of staging the riot and hanged.

The statue commemorating this event was vandalized many times, especially during Vietnam War protests. After being rebuilt several times, the first Mayor Daley posted a 24‑hour police guard at the statue at a cost of $67,000 per year. In 1972, the statue was taken down and has been relocated twice in police department buildings. The men who were hung are buried in Chicago’s Waldheim Jewish Cemetery–located in suburban Forest Park. A number of other labor and social activists are buried in this cemetery, including the radical anarchist, Emma Goldman.

In the late 1970s, when we lived in Cambridge, England, we saw Morris dancers performing on the first of May and for a week or more afterwards.  In the yard in front of King’s College, they set up their maypole and danced around it. The maypole represents a living tree, and the dances have their origins in older fertility rites. The dancers wear colorful costumes, with bells around their waists, waving ribbons or batons as they go through their routines. In Cambridgeshire, these dances are also known as the Plough dances that mark the beginning of the farmers’ season of plowing and planting.

I’ve experienced May Day as a celebration of nature’s coming back to life in Spring–joyful and lighthearted–and also as a remembrance of the social turmoil that has marked the struggle of workers for decent pay and conditions. To the maypole graphic shown here, I would add the raised fist of the international workers movement. It’s a complex combination–bringing in concerns for both the environment and for social justice Much to think about as May approaches.

(c) Phil Hefner–4/21/2017

 

 

Truth as hard and tough as nails

22 Mar

 

I am surrounded by public art. Just across the street, on a hill in Jackson Park are seven half-sunken Buddha heads in a circle–Indria Freitas Johnson’s, “10,000 Ripples.” The heads, which were put in place on World Peace Day, September 21, 2016, symbolize peace; “We need to be reminded that peace is possible,” the artist says.

A half mile to the south, behind the Museum of Science and Industry, adjacent to the Wooded Isle with its lovely Japanese Garden of the Phoenix , Yoko Ono’s “Skylanding” was recently installed. Giant lotus petals rise out of the green turf, turning our eyes upward in welcoming gesture. The installation ceremony, which included dancers and special music, is pictured above.

Yoko Ono is a respected, if controversial, avant-garde artist and musician. When she married John Lennon, the couple became strong activists against the Vietnam War. “Skylanding” takes its meaning from her early life in Japan. She lived in Tokyo, her life disrupted by the firebombing and atomic bombs of World War II. In those days, the sky was a fearsome place–bombs rained down death, suffering, and destruction. Her family fled the city and scratched out an existence in the countryside. “Skylanding” welcomes the sky, its lotus leaves reaching upwards. The scene is one of peace, dancing, and song.

All very nice, we say, but what do these sculptures really amount to? Life is hard, not soft and beautiful. Hard here on the south side of Chicago, with its guns and gangs, as well as the unflinching dollars-and-sense calculation of urban developers. The artists seem to be engaging in out-of-touch soft power, while life around us operates on hard power.

This is where Ute Lemper enters. She is one of the great cabaret singers and composers of our time, a matchless interpreter of Kurt Weill’s songs and the Brecht/Weill classic Threepenny Opera. Fans of the movie, “Cabaret,” recall that the classic era of cabarets and their singing was early twentieth century Germany, and that they waged cutting satire of their society and its politics. Imagine a much more sardonic version of “Saturday Night Live.” Hitler shut them down–fascists don’t tolerate satire.

Lemper entitles one of her songs, “Munchhausen”–named after a sixteenth century German baron, who was notorious for his habit of lying. Its refrain:

I’m sick and tired of lies from you
But how I wish your lies were true
Liar, liar, liar, liar, liar, liar
Truth is as hard and tough as nails
That’s why we need fairy tales
I’m all through with logical conclusions
Why should I deny myself illusions

Hard power can banish soft power to the sidelines, even into obscurity. But soft power cannot be eradicated. It lives on–in the form of stories, fairy tales, songs, hopes, myths, and dreams. In a brilliant turn of phrase, our truth is tough as nails and fairy tales house their toughness.

Political figures, barons of business, dictators–these pass away, but dreams, hopes, and fairy tales live on and on. We remember the words of the prophet Isaiah, who lived at the time of the Babylonian oppression of Israel–“they shall beat their swords into plowshares, and their spears into pruninghooks: nation shall not lift up sword against nation, neither shall they learn war any more.” But who recalls the names of the oppressor Babylonian kings?

It has been said that the fairy tales and dreams are the opiate of the masses, intended to sedate their senses. I prefer to think of them as the sigh, deep in our hearts, that lives below the surface of events. Fairy tales are not only tough as nails, they are subversive of the existing order. They undercut human pretensions.

Lemper includes fairy tales in her song:

I saw a film the other day
That really varied from the norm
There were no soldiers on parade
And no one marched in uniform
Its heroes were not supermen
And no one even shot a gun
The audience still loved the film
Though not a single war was won
But I was really shocked to see
This film was made in Germany

I saw a land that hated war
And melted all its weapons down
To build a boat of love for kids
Who planned to sail from town to town
Declaring peace for all the world
Let killing now come to an end
Embrace your enemies instead
Your former foe is now your friend
Ev’ry conflict now will cease
And all of us will live in peace

These kinds of fairy tales are subversive–little wonder that Hitler closed them down.

Yoko Ono’s “Skylanding” expresses such a subversive dream. Our skies are not so friendly today–bombers and drones in the Middle East, lung-eating pollution around the world, amid moves to increase military forces. It is a dreamy fairy tale, but it advances a truth that is hard and tough as nails. If it were a policy proposal, it could be scrapped; as proposed legislation, it could be tabled. As hope and dream, as fairy tale, it will live on as long as human beings exist on this planet.

(c) Phil Hefner 3/22/2017
​

Something more than politics

7 Mar

Something “more” than politics–

Patricia’s poem

“Listen
after I have set the table
folded the scottowel into napkins cooked
this delicious eggplant stuffed with bulghur wheat
then baked the whole thing under careful
covering of mozzarella cheese
and
said my grace

don’t you bring Anita Bryant/Richard
Pryor/the Justices of the Supreme Court/don’t
you bring any of those people in here
to spoil my digestive processes
and ruin
my dinner

You hear?”

June Jordan wrote this poem in the late 1970s. If you substitute different names for Anita Bryant (singer and anti-Gay/lesbian spokeswoman) and Richard Pryor, it expresses what I have felt many times in the last six months. Miroslav Volf wrote, “Politics touches everything, but politics isn’t everything, not by a long shot.”

There is something more than politics–what is this “more”?

The more–family, faith, religion, personal integrity, the recovery of loved ones from cancer, art, cookouts in the backyard, the Cubs, the Packers–we all can names places in our lives that are “more” than politics–even though they may well be touched by politics.

In these comments, I’m focusing on art. When his novel, Underground Railroad, received the National Book Award, Colson Whitehead responded, with his eye on the current political situation, “Be Kind to everyone, make art, and fight the power.”

Why should we make art? The poet, Joy Harjo, gave an answer to this question when she bestowed the National Book Award for poetry: “Poetry carries the spirit of the people and is necessary at the doorways of transition and transformation.”

The words of George Steiner have stuck in my mind: Journalists insist the present moment has the most urgent claim on us–it is the hub of our universe; for artists, to the contrary, it is the longer view that counts, and the deeper view.

The politics of the day is mean and cheap. June Jordan’s Patricia has worked carefully and lovingly to prepare the meal for her guests–and she wants to contrast sharply with “mean and cheap.” Her mozzarella and eggplant transcends politics, and she means for her guests to share that transcendence–at the same time, the poem opens up other possibilities for transcending politics.


Consider Pablo Picasso’s painting, “Guernica” (see above). Rooted in a current event, it probes deeply to portray the bombing of the Basque town of Guernica by the Nazi German Air Force in April 1937. Picasso cries out that bombing was the rending of creation. And not just bombing that town, but also Srebinica in 1995 and Aleppo from 2012 until the present and Palmyra in 2016–all war, in other words. The list of “Guernicas” is endless.

Even the best journalistic treatment cannot convey the depth and breadth of Picasso’s painting. Wilfred Owen did the same in his poems from World War I. In “Dulce et decorum est pro patria mori” (“it is sweet and right to die for your country”–in other words, it is a wonderful and great honor to fight and die for your country), written in 1917, he foreshadows the bombing of Guernica in his description of a soldier dying of a mustard gas attack:

“If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie; Dulce et Decorum est
Pro patria mori.”

Dripping with irony and sarcasm, Owen calls irrevocably into question the “old lie.” The journalist’s task is to report the soldier’s suffering and death in vivid terms, as TV news brought the Vietnam casualties to our dinner tables in the ’60s and ’70s. The artist’s message is a different one: war is a violation of the created order, and smoothing it over as noble sacrifice is a lie. This is not a condemnation of the soldiers who fight and die, but of the societies and their leaders who send soldiers into war.

It’s not a matter of escaping politics, but nourishing the deep places of our lives. I have tried to cultivate these deep places in my own life. I visit friends in our second-floor rehab unit. I read newspapers, but watch little TV news. I bought a small volume of Christian Wiman’s poems, “Once in the West,” and found these wonderful lines:

“Too many elegies elevating sadness
to a kind of sad religion:

one wants in the end just once to befriend
one’s own loneliness,

to make of the ache of inwardness–

something,
music maybe. . .”

Make the decision now to befriend the deep places of your life and make them into music. Share your music with us.

(c) Phil Hefner. March 7, 2017

The truth is. . .

28 Nov

I reflected on a news item, which in turn prompted these three poems:

“The booth, the size of a small house trailer, in the shape of a cartoon word bubble with “TRUTH” in bold letters on its side, serves as a video confessional. It will be set up at several locations, including at the Republican and Democratic national conventions. Visitors are asked to sit inside and finish the politically and metaphysically loaded sentence that begins, “The truth is …” (New York Times, July 18, 2016). I thought of three ways people seem to think of truth.

I.
The truth is …: Word

A word. . .

in sacred language,
we do not understand

requires learning
translation

we speak those words aloud
understood or not

by ourselves
and together

Sanskrit Hebrew Greek
Latin Arabic King James English
the constitution’s colonial rhetoric

our accents as variable
as we are

the truth they say
is in the recitation

words require interpretation
that’s what rabbis are for

never just one rendering
of truth

we must choose
which words persuade us

which rabbinic eloquence
or logic

the truth is. . .


II.
The truth is …: Place

A place

for the solitary monks
two millennia back in time

empty desert wastes
were truth-bearers

resonating to
lives emptied of things
and fancies

the great western plain
is such an empty vastness
like the sea when the shore is
left behind

emptiness is overflowing fullness

when I’m alone
my vessel
small barely visible
against the wastes
that have no boundary
is filled by a vastness
not mine

for me
this place is both
beginning and end
where arrival and starting out

are one


III.
The truth is …: A Person

Her eyes,
that’s what it is,
Piercing, yes–
but even more,
the world that lies behind her gaze
and projects outward.

Her voice
echoes with the resonance
of God.
Pulling me into her world,
I know that she
is truth for me.

She sees straight into my heart,
tells me who I am
who I can be
and who I must be.
She gives me my direction
and my mission.

She bodies forth the truth
and my truth,
not from afar
nor from a higher place,
but here, before me
at eye level.

Eye-to-eye, I can see
she’s more, better, than
I could ever be, but she is
very like me. I say fully like me.
She eats and drinks,
loves and struggles

to a degree that surpasses me.
But she cries,
fears death–
shouts out her abandonment.
So fully me I ask myself:
Can this be truth?


I considered writing a fourth poem about how all forms of truth are filtered through us–our vision, our minds, our judgments. No matter how we anchor truth in something objective outside us, we judge what is true. I would not say the truth is me and my judgment, but there is no truth for me apart from me.

Query: would it make a difference if the Person were male?

(c) Phil Hefner 11/27/2016

← Older Entries